

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

José Manuel Varela

Federico Alcántara

Graciela dos Santos Varela 'La Mala'

Dionisio Balboa

Pili

Sonia

Empleado de producciones Balboa Films


Movie / 1982

Movie / 2017

Movie / 2017

Movie / 1988

Movie / 1943

Movie / 2007

Movie / 2008

Movie / 1990

Movie / 2006

Movie / 1966

Movie / 1982

Movie / 1948

Movie / 2013

Movie / 1963

Movie / 1966

Movie / 1998

Movie / 1989

Movie / 2025

Movie / 1966

Movie / 2005

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Movie / 1982

Movie / 2017

Movie / 2017

Movie / 1988

Movie / 1943

Movie / 2007

Movie / 2008

Movie / 1990

Movie / 2006

Movie / 1966

Movie / 1982

Movie / 1948

Movie / 2013

Movie / 1963

Movie / 1966

Movie / 1998

Movie / 1989

Movie / 2025

Movie / 1966

Movie / 2005