

When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.

Movie / 2017

Movie / 1993

Movie / 1939

Movie / 1972

Movie / 2008

Movie / 2023

Movie / 2002

Movie / 1954

Movie / 2023

Movie / 2001

Movie / 1969

Movie / 1911

Movie / 2024

Movie / 2012

Movie / 1978

Movie / 2011

Movie / 2024

When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.

Movie / 2017

Movie / 1993

Movie / 1939

Movie / 1972

Movie / 2008

Movie / 2023

Movie / 2002

Movie / 1954

Movie / 2023

Movie / 2001

Movie / 1969

Movie / 1911

Movie / 2024

Movie / 2012

Movie / 1978

Movie / 2011

Movie / 2024